Installation View
Dominican University of California, 2004
6) How do you feel about the terms “ceramic sculpture” and “ceramic sculptor”? How do you address the categorization of your own work?

This brings up my longest running internal battle, which is to date not fully resolved. These terms “ceramic sculpture” and “ceramic sculptor” seem to describe a self imposed Ghetto-ization from the art world. While Pete Volkous (r.i.p.) was able to lead the charge in bringing a certain level of respectability to the discipline and broke down exterior barriers to the ‘art world’ with his work on the cover of Art Forum… It seems that much of the ceramics community has sought shelter from criticism behind these terms. Granted, the larger art community is not the comfiest couch in the parlor. When Grayson Perry won the Turner prize in London last year half the room walked out the door of the award ceremony mumbling certain expletives and the term potter in the same sentence, according to an attendee. However, I believe that if persons playing with clay, glaze and fire want their work to be taken seriously they will need to be able to talk about more than the clay, the glaze, the fire, and be willing to engage critics of the material. For me I’m happy to be call a potter if that what people see me as, after all wasn’t that my dream in the first place?
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